The Myth of Dunkirk

The Myth of Dunkirk
by Ian Sinclair
Morning Star
28 July 2017

The British public, one of my university tutors once said, are still feeling the effects of Second World War propaganda today.

The events surrounding the evacuation of the British Expeditionary Force (BEF) from Dunkirk in late May 1940 are no exception. The popular story – one of the foundation stones of modern British national identity – goes something like this: facing the German army, the brave British forces were let down by their French and Belgian allies, and forced to retreat to the coast where they were evacuated to safety by the ‘little ships of Dunkirk’ manned by volunteer civilian seafarers, given the opportunity to fight another day, and eventually help to win the war. Victory, the nation was told, was snatched from the jaws of defeat.

It hasn’t been mentioned much but Christopher Nolan’s new Dunkirk movie isn’t the first blockbuster with that name. That honour belongs to Leslie Norman’s 1958 hit black and white feature. Watching Norman’s film today – made in the aftermath of the 1956 ‘Suez Crisis’ (AKA Britain’s invasion of Egypt) – it’s easy to laugh knowingly at its quaint nationalism and repetition of the Dunkirk myth. But while Nolan’s film is an incredibly intense and visceral cinematic experience, politically it deviates little from Norman’s unquestioning picture made nearly 60 years earlier. Indeed, Nolan’s film has received glowing reviews in conservative organs including the Telegraph (“heart-hammering and heroically British”), the Evening Standard and the Mail on Sunday, which said it should be “compulsory” viewing.

With this in mind, it is worth considering what the popular Dunkirk narrative either downplays or omits to mention completely.

First, as Max Hasting notes in his 2011 history of the war All Hell Let Loose, it is important to recognise that “disproportionate historical attention has focused upon the operations of the small British contingent, and its escape to Dunkirk” in accounts of the fighting in May-June 1940. In reality “the British role was marginal”, he explains. “The overriding German objective was to defeat the French army.”

With the German army quickly advancing through Belgium, in his book 1940: Myth and Reality Clive Ponting notes the British started pulling back from the frontline without telling the Belgian forces on their flank. British forces also refused requests from the French high command to fight alongside French forces (British soldiers were formally under French command at the time), says Ponting. Writing in his diary, General Pownall, Chief of Staff to the Commander of the BEF, described the Belgium military as “rotten to the core and in the end we shall have to look after ourselves.” Asked about the possibility of evacuating Belgians troops, Pownall replied “We don’t care a bugger what happens to the Belgians”.

After the Germans had started cutting off supply lines “stealing from civilians soon became official policy”, according to Nicholas Harman in his 1980 book Dunkirk: The Necessary Myth. And with morale at rock bottom and troops under extreme physical and psychological stress, historian Glyn Prysor notes there was “widespread British antagonism towards refugees and other innocent bystanders.”

Prysor records the story of artillery NCO William Harding who remembers a fellow soldier shooting an old woman in the street in Calais. When challenged by Harding the perpetrator replied “Anybody dressed as old women, nuns or priests or civilians running around get shot.” Harman notes that “British fighting units had orders to take no prisoners” except for interrogation. This policy, combined with the widespread fear of ‘fifth columnists’, led to a “large number of executions without trial”, writes James Hayward in his book Myths and Legends of the Second World War. For example, Harman notes the Grenadier Guards shot seventeen suspected spies in the Belgian village of Helchin.

With the evacuation at Dunkirk moving ahead, Ponting notes “the British relied on their allies to hold the Germans without offering to evacuate their partners.” On 29 May French troops were manhandled off British ships – a fractious relationship highlighted in Nolan’s film. “There are many reported incidents of British officers and soldiers resorting to firing upon their French counterparts at Dunkirk”, Prysor notes. In the end around 340,000 allied soldiers were rescued, including 125,000 French troops.

And what of the “little boats of Dunkirk”? As the historian Angus Calder notes in his 1991 book The Myth of the Blitz “Few members of the British Expeditionary Force owned their passage to ‘little ships’ manned by civilian volunteers”.

Moreover, former Telegraph editor Hasting argues that like all significant historical events “the legend of Dunkirk was besmirched by some uglinesses”.

“A significant number of British seaman invited to participate in the evacuation refused to do so, including the Rye fishing fleet and some lifeboat crews”, he notes. According to Calder the Royal Navy had to commandeer boats in Devon whose owners would not volunteer. However, this is not surprising – Calder explains the British public was only informed of the evacuation in the evening of 31 May, by which time around three-quarters of British personnel had been rescued, so it’s likely many would not have known what they were volunteering for.

Rather than the simplistic and patronising bedtimes stories the British public have been told at school, by the news media, television and film industry, the evidence presented here points to a complicated, sometimes unpleasant – more human – reality.

However, as George Orwell once wrote about the UK, “Unpopular ideas can be silenced, and inconvenient facts kept dark”. This happens “without the need for any official ban”, he argued, but by “a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact.” The accuracy of Orwell’s truism is demonstrated by the reverence the allied role in the Second World War continues to be held in – across the political spectrum it seen as the Good War, the ultimate Just War.

The problem with this framing, the comedian Robert Newman argued on his 2005 album Apocalypso Now, is that it’s “based on a very misleading premise: which is just because the enemy you are fighting is evil, that makes you good”.

Can it really be a Good War when it included “Allied bombing in which German and Japanese civilian populations were deliberately targeted claimed the lives of about 800,000 civilian women, children and men”, according to historian A.C. Grayling? Were the nuclear strikes on Hiroshima and Nagasaki, when the US knew the Japanese government was on the verge of surrendering, part of a Just War? What noble aims and values lay behind British forces working with German collaborators to violently suppress the popular anti-German resistance movement in Greece in 1944-5? Were British forces rescued from Dunkirk so at the end of the war British troops could work with the defeated Japanese forces to crush nationalist uprisings in Vietnam and Indonesia, as written about by the journalist Ian Cobain and historian John Newsinger, respectively? And while we are at it, why were tens of thousands of British troops ‘defending’ Singapore and the Middle East during Britain’s ‘darkest hour’ in summer 1940?

Where are the blockbuster films about these campaigns conducted by British forces and their allies in the Second World War?

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